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yes thats right, im on youtube.com
for those who dont know, im now sharing my views with the world via youtube.

look me up, im: paganpenguin
 

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im going to kill something
so, im ready to savagely beat the next person to piss me off's head in, for the simple fact that ive had it up to the eyeballs, in shit from parents, friends, co-workers, teachers, im about ready to snap!



im gonna tear holes in my heavy bag because its cheaper than a jail sentence. fucking retarded stupid human beings, i hate them all
 

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yeah, so theres this gangster wannabe dissing me and my friends about our sexuality and such, and he thinks hes all rough and tumble cuz hes from "south central, dogg" or some retarded rap thing like that. frankly i think it'll be funny when he takes his rapper wannabe style too far and disses the wrong guy... then BOOM, just like his idols, he gets his ass shot, and winds up laying bleeding in the gutter. he dies in a puddle of his own blood, and bodily fluids, and no one gives a shit. cause hes no famous rapper. hes just some punk who thinks hes tough and he died in the ghetto, just like his heros. hmmm, once a nobody, always a nobody.

hope he likes to dance, cause when im rich in 20 years, im gonna go down there, to that ghetto, pick up his sorry ass, and make him clean my shoes. when hes done, he'll dance for a nickel because thats all his fucking time is worth to me.
 

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why i hate people
it didnt take me long to discover that humanity in general, is a discusting compilation of the stupidest, most inbred beings that ever crawled onto the surface of this rock we call home.

while walking through the mall with my friends the other day, it came to my attention that there were a crowd of people gathering around this one spot. when i approached them, they started to back away from us.
one person spotted my pentacle, necklace, and that iced the cake. suddenly, i had some strange person, yelling at me, and insulting me and my friends because we were dressed the way we were, and because i was wearing that necklace. the person nearly tore it off my neck, saying they would call security and have me removed from the mall because they felt my religion was a personal insult to them, well.. as many of you can probably already tell, this was quite a scene to witness. security was eventually called. It bothers me how people can be so blatently stupid. that person was yelling things about how christians were killed worldwide because of their faith, and then goes and pulls a stunt like that.. cmon talk about beating a dead horse.
 

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necromancy, the misunderstood art
this is only a breif history of the origin of necromancy, please feel free to pm me after reading it for more info. thx


Necromancy has had a long and very disparate history between cultures and generations. The definition seems to slide in every way at once thus seemingly muddling its clarity. Many cultures and societies and sub-cultures have adopted the term "necromancy" as the title of their practice, which is not necessarily wrong, but it has caused confusion for the etymologically-minded who tend to be quick to point a finger at things which do not fit the strict definition of "corpse divination" as it might appear to their modern standards.
Necromancy's etymology comes from two Greek words. "Nekros" which means "corpse" and "manteia" which means "prophesy". Despite these roots though, we must remember a fact about the nature of dictionaries which is most poignantly brought out by Jorge Luis Borges in the prologue to "El otro, el mismo". He cleverly noted that "It is often forgotten that [dictionaries] are artificial repositories, put together well after the languages they define. The roots of language are irrational and of a magical nature." It is difficult, and indeed often impossible, for the modern occultist to look at a dictionary as their source of information about the nature of a practice. "Necromancy means spirit divination!" they shout. Delving into case examples, both modern and historical, gives us quite a different picture though. A peculiar (and damning!) habit of those claiming knowledge in the ways of necromancy is how they define the art. It takes little more than a brief scan of random internet pages about the subject of necromancy to discover that, in the overwhelming majority of sites that exist on this subject, the definition is a simple etymological breakdown which then immediately departs from the roots of the system to dash blindly into new age mediumism.
The origins of the word "necromancy" itself comes from the Greek and Roman world where necromancy was practiced as the name might suggest: divination out of corpses. It developed, however, in many ways which would bring about the common myths and legends that we know of in the modern age. Surprisingly enough, the image of necromancy has not been too wildly distorted throughout the ages by media and legend. Spins are always given, of course, but the general idea of a necromancy holds fast: one who works with the powers of death. This may take many forms. Historically, necromancy has ranged from everything between spirit communications to out-of-body trips to the underworld (known as katabasis in Greek, or as "Greater Necromancy" by some) and even extending so far as to curse and hex the living or impose quests upon the dead via hex tablets (katadesmoi). Some of necromancy's history even includes speaking to underworld demons and specfically asking boons of them to aid the necromancer in their purpose or invoking the spirit of another (or an underworld demon) to gain their strengths and help. The different forms are manifold and well exceed the strict boundaries the modern critic might suspect by simple word origins.
Necromancy itself has developed in many stages since the inception of the word to describe this practice, however. Distinct forms from different cultures have arisen based on superstitions as seen in Voodoo, dominant religious beliefs such as Christianity's overwhelming effect on medieval European necromancy and also in Egyptian incorporation of Osiris in rites of death, and also simply things that people expected based on absolutely nothing such as grave robbing and raising zombie legions. For this reason, it is impossible to blanketly say "This is the history of necromancy" with any certainty (though there are certainly no lack of web pages which claim to have 'the history of necromancy' condensed sufficiently). Necromancy has many definitions which change according to which culture is being used as the source of necromantic archetyping and thus we come to the conflict between different necromantic traditions.
Some necromancers do nothing more than glorified mediumism. They are spiritists and have no interest in the extensible powers related to soul manipulation. These typically retreat back to the realm of new age divination though as they are not welcomed by diviner nor necromancer by virtue of their short-sightedness. Other necromancers are simply interested in hexcraft and all but ignore the divinatory aspects. These, while not shunned, have been traditionally kept at arm's length so as to avoid being caught in thanatoic cross-fire. Another of the necromantic strains are those who have tried to formalise necromancy and turn it into a ceremonial charade with wand, staff, powder, circle, and sword. These are relatively recent additions to the necromantic tradition that were imposed by belief in Judeo-Christian dogmas in the middle ages, usually carried over by ritual-heavy ceremonialism (Waite, for example); they have tainted the system and have earned little respect among the necromantic community. Among the strains of necromancer that exist there are also the thanatoists and azraelites who seek to know the avatar of death itself. These are the artistically inclined necromancers who seek to know death as a personal guardian and patron. Holding least firmly to traditional necromancy, many practitioners have had mixed feelings about them. Yet another strain of necromancer is the soul manipulator. This is the sort of necromancy presented on Ars Falcis. The soul manipulator seeks only to learn the powers of manipulating the soul and studying the interaction between soul and the material plane. In general, it is an acceptable enough practice in itself but has an uncanny tendency to bring practitioners into conflict with those of any other path. There are also many other types of practitioner, yet it would be fruitless to mention all of them here. Suffice it to say that the necromantic tradition has found itself mirrored in a thousand fragment, each with their own gifts, rationales, and methods.
Necromancy, more than any other magical system, is responsible for the reputation of occult cults and sects holding graveyard rites and performing the infamous "blood sacrifice". Be it human or animal, blood sacrifice was at one time considered an important part of many necromantic rites. The reputation of having undead legions at the necromancer's command is not entirely undue either. Though the physical dead, it is generally agreed among modern necromancers, are not going to be moving again, commanding a legion of geists fuelled by the blessings of the underworld are not uncommon even in contemporary practices. The underworld, the quasi-demonic, the ghostly, and the spectres of the once living are channelled and commanded by the necromancer to gain power in the mortal realm. Often there were sacrifices of the living to appease the dead in historical necromantic rites and other offerings, either burned or simply left to rot, to entice and appease necromantic entities. In some cases the necromancer disembodied themselves by entering a trance-coma which emulates being dead in what would be called an "out of body experience" (OOBE or OBE) to harness the hellish ethers of death personally. Interfacing with the realm of death and its spirits (known as nekuodaimones in Greek necromancy) has been a long-standing tradition of infernal meddling that has earned the necromancer a ghastly but reverenced position in occult history.
The first traces of necromancy itself come from the classic Greek era and thus much of the history and terminology used within the art stems from that culture. Necromancy has been analyzed by few decent writers, unfortunately, but those that have made a respectable effort at it tend to break down the practice into a few broad classes: Greek and Roman Necromancy, Latin (Medieval European) Necromancy, African Necromancy (including many Voodoo rites), Egyptian Necromancy, and Oriental Necromancy. The intended focus of this site is to make most of the Greek, Roman, and European necromantic variants though hopefully the other types will find a place here as well over time.
This is only a most brief breakdown of the art of necromancy barely sufficient to touch on the major facets of practice, let alone the actual historical developments or belief systems associated with these. Necromancy is a profoundly old non-doctrinal occult practice which persists even to this day. With this we delve into the art itself in search of answers.

 
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